Today I bring you the evocative assemblages of Edward Keinholz, most of which contain a dash of sharp satire and/or criticisms of modern life (works range from the 1960’s-1980’s).
Although he obtained no formal training, Keinholz grew up on a farm where he learned carpentry, drafting and mechanical skills.
His roster of formal jobs is as eclectic as his artistic endeavors: orderly in a psychiatric hospital, manager of a dance band, used car salesman, caterer, decorator and vacuum cleaner salesman.
I suppose I’ve made more of a fuss over Valentine’s Day on this blog in previous years. Not sure why it kind of escaped me this time around, but since I didn’t do a countdown or themed posts, here are a few links to “Valentine” goodies (I use the holiday label loosely).
I had to steal that headline from the source, because it is so perfectly…perfect.
This fellow is the work of Theo Mercer. He is actually constructed from silicone cords (not real noodles).
It is quite incredible that a PILE with two eyes can produce a sense of pathos and emotion in the viewer. Don’t you want to hug this lonely monster…even at the risk of getting…noodley?
Cannot type/talk due to severe illness (all words courtesy of voice software or kind typing helpers)…I read and appreciate all comments…Apologies for not being able to respond.
The Internet is a glorious tool, but some sites (I’m talking to you again, Tumblr and Pinterest) spread amazing images like the proverbial wildfire…without credit.
A Google image search on this still failed to turn up a creator, but I think it’s rather wonderful.
Does anyone know who made this?
Cannot type/talk due to severe illness (all words courtesy of voice software or kind typing helpers)…I read and appreciate all comments…Apologies for not being able to respond.
Cannot type/talk due to severe illness (all words courtesy of voice software or kind typing helpers)…I read and appreciate all comments…Apologies for not being able to respond.
Thank you, Street Anatomy for pointing me toward Beth Cavener Stitcher’s Four Humors sculpture series. I had admired her work in the past, but was rather intrigued by these representations of Hippocratic medicine.
Sanguine – Too much blood – passionate, bold, impulsive
Choleric – Too much yellow bile – irritable, hostile, bitter
Melancholic – Too much black bile – depressed, anxious, moody
Phlegmatic – Too much phlegm – passive, introverted, rational
This must have been a powerful exhibit to see in person.
From the website: Please Smile is an exhibit involving five robotic skeleton arms that change their gestures depending on a viewer’s facial expressions. It consists of a microcontroller, a camera, a computer, five external power supplies, and five plastic skeleton arms, each with four motors. It incorporated elements from mechanical engineering, computer vision perception to serve artistic expression with a robot.
Audiences interact with “Please smile” in three different ways. When no human falls within the view of the camera, the five robotic skeleton arms choose the default position, which is bending their elbows and wrists near the wall. When a human steps within the view of the camera, the arms point at the human and follow his/her movements. Then when someone smiles in front of it, the five arms wave their hands. Through artwork such as “Please smile,” I would like to foster positive audience behaviors.
I have a tendency to wish that sculptures, installations and other fictional artistic creations were real. Case in point: this cabin.
Using a nineteenth-century architectural style and vintage building materials, the structure is both homage to the romantic spirit of the Western Myth and a commentary on the arrogance of Westward expansion.
Although this is just an installation, I think it’s a fantastic guest house idea. I do understand the commentary imbedded in such a structure, but I happen to like it aesthetically in its own right.