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SheWalksSoftly

  • The Museum of Alchemists and Magicians

    January 26th, 2015

    I’ve always wanted to visit Prague, and on my list of attractions in the area is The Museum of Alchemists and Magicians.

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    Oh hey, little feline buddy! Cats and all, this is my kind of alchemy lab. Let’s take a tiny peek inside, shall we?
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    According to the website, here, you can look under the lids of bowls of emperor Rudolf’s alchemists. At first you will immerse in the wisdom texts of the alchemists, alchemy and personalities associated with alchemy, whether the alchemists themselves, or unexpected examples as Charles IV or William Shakespeare.

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    You are going to walk through a magical room of the Faust´s house and then, subtly initiated, you will climb the spiral of life up to the sky. By the „spiral of life“ we mean the spiral staircase bulit by Kelley in the 16th century, and almost in heaven, in the attic between the beams from the times of Rudolf II, you will find the authentic atmosphere of the laboratory of one of the most famous alchemists of Rudolphine times, the master Edward Kelley, who lived in this house.

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    I have a sneaking suspicion that at least part of my house will look exactly like the picture below about 10 years from now. That’s the direction it’s heading. I’m not a hoarder (no really!)…I’m an aspiring alchemist.
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    I will, however, stop short of emblazoning giant glyphs on my floor. Ceilings, of course, are fair game.
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    There is also an alchemical lab PUB on the premises! Click to enlarge photo (Formulas on the walls! Glorious!).
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    The Museum of Alchemists and Magicians

  • Jean-Francois Rauzier

    January 24th, 2015

    Jean-Francois Rauzier makes hyperreal digital urban “utopias” and nature scenes that are utterly mesmerizing to look at.

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    In 2002, he created the “Hyperphoto”, a concept which enables him to deal with the impossible: to combine both infinitely big and infinitely small things in one same image, out of time. To simulate the illusion of reality, Jean-François Rauzier first had to cope with all the inherent limits inherent of the photographic and technological equipment. He found his way by juxtaposing, duplicating, twisting images, making it possible for him to reproduce human vision more accurately. This way, he generated a genuine numerical puzzle, in which the pieces, cut out, “drawn again”, come up along on top of the imagination of the artist.

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    His technique produces some truly fascinating images (ooooh…I love the one below!).
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    Something about the geometric nature is grandly appealing to the eye; perhaps it is our innate human tendency to seek structure and order in our surroundings.
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    These are pieces of truth, kaleidoscopically intertwined into something magical…
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    Jean-Francois Rauzier

  • Maude White

    January 23rd, 2015

    Today I bring you the expert paper carvings of Maude White, whose work ranks amongst the most delicate, intricate paper work I’ve seen. I’m flabbergasted by what she does with hair!

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    Her artist statement is quite interesting:

    I come from a family of visual storytellers. I have always believed that our vision is as important as our hearing when we communicate. Very rarely do we rely on words alone. It is what we see, and how our brains interpret what we see that shapes our perceptions and actions. I began cutting paper with that understanding. I want my art to communicate to the observer what my words cannot do effectively.

    When I was a child I thought a great deal about hidden spaces. The intimacy, the hushed secrecy – I was always looking underneath objects, or through them. I have always believed that if you look hard enough, you will see something precious and new, or, perhaps, something incredibly ancient and sacred.

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    When I cut paper, I feel as if I am peeling back the outer, superficial layer of our vision to reveal the secret space beneath. With paper cutting there are so many opportunities to create negative space that tells its own story. Letting the observer become present in the piece allows him or her to look through it. I like the idea of the stark contrast between the black and white paper, and the cut nature of the work makes my art more three-dimensional than paint on canvas.

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    I have great respect for paper. When I cut, the thin membranous material reveals its strength to me. No matter how small my cuts the paper holds. There is a certain comfort in that, a comfort I enjoy. I feel that there are very few things in the world as reliable and constant as paper. Paper is everywhere and it has been telling stories for centuries. By respecting and honoring paper for what it is, and not considering it a stepping-stone to something greater, I feel like I am communicating some of the pleasure it brings to me. I am not creating for Art’s sake. I am creating for Paper’s sake, to make visible the stories that every piece of paper attempts to communicate to us.

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    The shadow projections each piece creates are incredible:
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  • Desktop Goodies 1/22

    January 22nd, 2015

    Yep, these are real birds…
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    …not Tribbles with eyes.
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    I wanted so much to believe this is an actual album, but sadly I don’t see it on Amazon or YouTube.
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    Now THIS is music! I can almost hear their sweet, fruity harmonizing.
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    1926 skull clock created by the German Oswald clockmaking workshop. They eyes rotate to tell the time.
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    For maximum safety, place your child in a crib that appears to be a cross between a glass coffin and what magicians use to saw people in half.
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    A unique abduction? Eye don’t know.
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    MONSTER SOUP OF THE THAMES!
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    Never neglect your bowels.
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    I wish this were part of a large “Things to Do With a Giant Head” photo collection. There are two fine suggestions here:
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    The Shadow is a force, indeed.
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    The challenges we rarely think of…
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  • Gerri Tullis

    January 21st, 2015

    Gerri Tullis has a great collection of handmade iron on patches in her Etsy shop. My favorites are the apothecary labels, especially this first one (which I so desperately need).

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    There are other wonderfully well done designs for the spooky and/or esoterically minded as well.

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    Gerri Tullis

  • Peter and the Wolf Stop Motion Short Film

    January 20th, 2015

    Over the weekend, I saw a stunning combination of good old fashioned stop motion animation and skillful CGI. This animated retelling of Sergei Prokofiev’s classic musical piece Peter and the Wolf, written and directed by Suzie Templeton, won an Oscar for Best Animated Short Film in 2006.

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    The characters and scenery are incredibly striking. Peter and the Wolf share the same piercing, mildly unsettling ice blue eyes, and this film captured and held my attention from the first frame. I highly recommend this for ANY fans of stop motion animation.

    Watch:

    https://www.youtube.com/watch?v=4XoV18Ugk8w

    (And if you feel like going down a stop motion rabbit hole, check out a list of previous great ones on the blog HERE)

    Many thanks to Casey for showing this to me!

  • Erika Sanada

    January 19th, 2015

    Erika Sanada creates bizarre, dreamy creatures, whose soft pastel colors belie the unsettling nature of their physical anomalies.

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    The texture of their skin appears almost human, as blank white eyes stare out from their loneliness and suffering (though certainly not all of her creations are tortured; some are simply keeping each other company in serene, mutual strangeness).
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    From the artist statement:
    My work reflects the weird and the creepy; I am fascinated with the dark side. “Odd Things” is my current body of work and I use ceramic for making bizarre creatures. They have extra body parts such as multiple arms, legs, teeth and ears. These are how I express my sensitive mind. There are two reasons I create misshapen and abnormal work. One is my bitter childhood and the second is my constant anxieties.
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    I have had an anxious personality since I was a child. I worry about everything, even tiny things. Anxiety drags my mind to the dark side, which is more powerful and intense than my bright side. Sometimes I can’t move forward because I am emotionally paralyzed. I decided to go face-to-face with my anxieties by creating irregular and eerie creatures representing my dark side. As a result, these creatures show my twisted mind as I try to overcome anxiety through my creation.

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    While I hate to hear of a fellow human being struggling with anxiety, creativity can be an intensely positive channel. Amazing work, Erica!

    Erika Sanada

  • Mahlimae

    January 18th, 2015

    Mahlimae is a group of dolls crafted by Nicole Watt.

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    From the artist bio:
    Nicole is an internationally exhibited self-taught mixed media sculpture artist living and creating in the wilderness of Southern Tasmania, Australia. Her exquisitely simplistic and charming characters blossom from a magical world long forgotten; a world hidden in the shadows of imagination where the wind blows wild, the trees groan with ancient secrets born from the whispers of the fae.

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    Her work is inspired by ancient folklore, the mysterious beauty in the darkness at the heart of a forest, and the energies which radiate from worn, tattered fabrics. Within the subtle expressions of her creations secrets and stories are hidden. Each piece is carefully hand sculpted and designed using gathered natural materials. The final works are pulled together by a common theme of possibility, a longing for connection, and an aim to intrigue.

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    Who knew that faces with NO features and black dots for eyes could be so expressive! These deceptively “simple” creations manage to evoke all kinds of feelings. That takes talent.

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  • Gabriel Picolo: 365 Days of Doodles

    January 17th, 2015

    What Gabriel Picolo calls “doodles” are pretty great little pieces of art (I wish my doodles looked like this! I may be a multimedia craftaholic, but if I just take a pen and draw in a notebook it looks like a kid did it).

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    I feel like these belong in a graphic novel.
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    I’m partial to this one due to its symbolic implications; the personas and facades we adopt that hang over us, to be called upon as occasion dictates.
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    …and I miss having cats. Though I do not miss the unfortunate watery lessons they learned the hard way by falling into a full bathtub when mommy wasn’t looking.
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    Gabriel Picolo
    Source

  • Mothmeister

    January 16th, 2015

    Mothmeister’s tagline is shooting weird & wonderful creatures & critters
    around the world
    . One look, and you’ll be inclined to find that a fitting description.

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    These photos do an excellent job of making me feel like I just walked straight into a nightmare, or surrealist horror film.
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    They come from Wounderland (a brilliant title for a dark, mysterious world)…
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    Something about the taxidermy specimens paired with masked subjects is undeniably creepy, wouldn’t you say?
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    Mothmeister
    Source

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