From the artist statement:
Since 1996, my transdisciplinary practice has bridged primary scientific studies with ecological art and engaged environmental stewardship. Underlying my practice is a systemic methodology, which posits art practice as a means of realizing research science, and vice-versa. Inherent to this working method is an impetus for “ecosystem activism” implemented through participatory biology field investigations and laboratory programs that stress public involvement – my attempt at social sculpting. My artworks come from direct experiences with amphibians, birds, fish and insect species found in today’s preternatural ecosystems and those observed in post-natural laboratory settings.
There is evidence that the growing occurrence of amphibian birth defects comes from contaminates in the chemical runoff of man made facilities. I deeply respect Ballengee for using art to evoke awareness and empathy for these creatures.
Now, via an enzymatic process and re-coloring, we can see the beauty of these creatures that tend to be largely ignored by humans.