Tinplate Studios makes incredible creepy crawlies to add a little nightmare fuel to your tea parties.
The teacup creatures are my favorite, but you will also find wall art and specimen jars. Take a look!
Tinplate Studios makes incredible creepy crawlies to add a little nightmare fuel to your tea parties.
The teacup creatures are my favorite, but you will also find wall art and specimen jars. Take a look!
Julie Alice Chappell describes herself as “Portsmouth Artist/Painter/Photographer/Creator of miniature worlds and subversive taxonomies exploring themes around the exploitation of nature.”
These gorgeous creatures are made of old Nintendo consoles! (Hopefully broken ones…I love the idea of re-purposing).

Blaker-DeSomma Glass has a beautiful series of glass ocean wave sculptures.
I love how these creations capture the energy and movement of raging seas.

These, in smaller scale, would make amazing wedding cake toppers.

Isobelle Ouzman’s altered books are spectacular three dimensional creations that breathe new life into discarded volumes. Light seems to shine from within them, and draw us down a path inside the pages.
She states:
Every book that I alter was found by a dumpster in Seattle, a recycling bin, a thrift store, or was given to me by someone who no longer wants it. Rather than have these discarded books sit out in the rain or in some store to gather dust, I’m striving to make good use of them. I love books very much and would never carve into one that was valuable. I just want to give them a new life and a second chance to mean something again.
As to how I make these – glue, an x-acto knife, Micron pens, watercolors and lots of love.

Her illustrations are equally magnificent, so check those out too.

A number of websites now offer hand blown glass sculptures that incorporate cremains.
Memory Glass creates orbs that resemble fancy paperweights (not to diminish the concept), using ashes in one of a kind designs. I love how this one looks like DNA.
Depending on the keepsake you wish to order, a number of options must be selected for each piece.
*For Memory Glass Orbs & Hearts, our handmade wooden stands with LED light clusters are available to light up the pieces from the bottom.
*Memory Glass Pendants include a Black Leather Cord at no additional cost, but you are welcome to choose a Sterling Silver, or 14k Yellow or White Gold chain to hang your pendant.
*Memory Glass Touchstones include a black 3d Suspension Box to display your touchstone proudly.
The Edge Art Gallery goes a step further and not only makes orbs, like this psychedelic swirl…
What do you think of memorial glass?
Graphic artist and painter team Anya Stasenko and Slava Leontyev make tiny porcelain creatures with a wild array of finely detailed whimsical designs.
Some have strange scenery painted on them…

Others have what look like the natural scales and markings of creatures from a colorful parallel world.

Light Figurine caught my eye with stunning phoenix sculptures. The blue phoenix appears floating in flight.
How gorgeous are these grand fire birds?

But if you want something completely different…how about a snake in a purple hat?

Or a snake in a straw hat? Until now, I’d never given much thought to the potential existence of chapeau shops for snakes. But the natural world is full of surprises, isn’t it?

Toronto based illustrator and sculptor Bailey Henderson works in a variety of mediums; oil paint, bronze, resin casting.
I’m partial to her Monstrorum Marines series, which recreates the images of mythological sea beasties depicted on Medieval maps.

Her detail is as fine as the pen and brush strokes on those antiquated documents. Gorgeous.

Today I bring you the expert paper carvings of Maude White, whose work ranks amongst the most delicate, intricate paper work I’ve seen. I’m flabbergasted by what she does with hair!
Her artist statement is quite interesting:
I come from a family of visual storytellers. I have always believed that our vision is as important as our hearing when we communicate. Very rarely do we rely on words alone. It is what we see, and how our brains interpret what we see that shapes our perceptions and actions. I began cutting paper with that understanding. I want my art to communicate to the observer what my words cannot do effectively.
When I was a child I thought a great deal about hidden spaces. The intimacy, the hushed secrecy – I was always looking underneath objects, or through them. I have always believed that if you look hard enough, you will see something precious and new, or, perhaps, something incredibly ancient and sacred.
When I cut paper, I feel as if I am peeling back the outer, superficial layer of our vision to reveal the secret space beneath. With paper cutting there are so many opportunities to create negative space that tells its own story. Letting the observer become present in the piece allows him or her to look through it. I like the idea of the stark contrast between the black and white paper, and the cut nature of the work makes my art more three-dimensional than paint on canvas.
I have great respect for paper. When I cut, the thin membranous material reveals its strength to me. No matter how small my cuts the paper holds. There is a certain comfort in that, a comfort I enjoy. I feel that there are very few things in the world as reliable and constant as paper. Paper is everywhere and it has been telling stories for centuries. By respecting and honoring paper for what it is, and not considering it a stepping-stone to something greater, I feel like I am communicating some of the pleasure it brings to me. I am not creating for Art’s sake. I am creating for Paper’s sake, to make visible the stories that every piece of paper attempts to communicate to us.