As I’ve probably mentioned before, Easter goes pretty much under my radar each year (save for the appearance of Cadbury Creme Eggs and Mini Eggs…which are all the celebrations I need).
But I bring you a few colorful, pop surrealist lagomorphic stylings of Geoffrey Gersten to set the mood.
Meet Elizabeth, the ball jointed human spider doll from Doll Chateau (this blonde version doesn’t seem to be on the website; this photo comes from a flickr account).
I find it hauntingly beautiful…
Here is the current version on the Doll Chateau website:
The Low Bros, former graffiti writers Qbrk and Nerd, are Christoph and Florin Schmidt. Their visual art and murals are rather like a modern spin on the designs, colors and elements of 80’s and 90’s youth culture.
Much of their work consists of stylized animals, built with interestingly intersecting lines and geometrical shapes. Shading is often accomplished with ombre lines, which create a really cool effect.
This “tentacular” night light by Ibis and Orchid is cast in bonded marble, and is approximately 3″ x 6″. The product warning says it is not a toy and should be kept out of the reach of children (I don’t have kids, but they’d have to fight me for this thing).
I’ve never had a night light, but this makes me reconsider the idea of using one for decorative purposes.
You can buy it here if you don’t want to become a member just to browse the Ibis and Orchid catalogue.
I’m starting a new feature here on SWS, which will help me share a greater quantity of amazing art. I was very late to the Instagram party, but I can get completely lost in the art there.
I don’t always have the time or energy to do a full feature post on artists and/or pieces I love…so I’ll be including the Instagram handle on each picture if you wish to explore further. This is also a great way to show current pieces by artists I’ve posted in the past (or preview artists I plan to post about in more depth). I hope you enjoy!
The machine, made by Martin Molin, uses an elaborate marble track system to create a sophisticated song. There are some 2000 marbles raised by a tracked elevator which is powered by some vigorous hand cranking. As they descend, the marbles strike the right parts of a glockenspiel, percussion instruments, and bass guitar. A lever system allows the operator/musician to turn selected instruments on and off. This allows the machine to be played in a way that goes beyond simply turning the crank and allowing the programmed track to run.
Alison Mortisugu paints gorgeous nature scenes using trees as her canvas.
She takes a fairly mundane (though in my opinion quite magical) object and turns each one into a portal that reflects the majesty of nature back upon itself.